Keramatilah Ziyari; Ahmad Hatami
Abstract
. In the realization of the creative city in Hormozgan province are known and the indicators of the number of printing houses, the number of libraries and the number of cultural and artistic exhibitions with an impact weight of 0.0195 are known as the least effective indicators in the realization of ...
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. In the realization of the creative city in Hormozgan province are known and the indicators of the number of printing houses, the number of libraries and the number of cultural and artistic exhibitions with an impact weight of 0.0195 are known as the least effective indicators in the realization of the creative city. In line with the second goal, TOPSIS model was used and its results showed that Bandar Abbas with the value of Ci 1 has the highest level of creativity and in the port of Lengeh with the value of 0.815649 in the second place, Minab with the value of 124715 / 0 in the third rank, Qeshm with the value of 0.09292 in the fourth rank, Rudan with the value of 0.070436 in the fifth rank, Bastak with the value of 0.070352 in the sixth rank, Parsian with the value of 0.0586565 in the seventh rank, Hajiabad with the value of / 058778 0 in the eighth place, Jask with the value of 0.051672 in the ninth place, Khamir with the value of 0.04316 in the tenth place, Sirik with the value of 0.016682 in the eleventh place, Abu Musa with the value of 0.012988 in the twelfth place and Bashagard with the value of 0.008452 It is ranked last.
Sahar Nedae Tousi; Ramina Jahanbakhsh Javid
Abstract
With the change in wealth creation in the new era, attracting the creative class is very important and reveals the need to address the creative city approach in the world's metropolises, including Tehran. The goal of this study was to assess the objective and subjective of the Tehran metropolis from ...
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With the change in wealth creation in the new era, attracting the creative class is very important and reveals the need to address the creative city approach in the world's metropolises, including Tehran. The goal of this study was to assess the objective and subjective of the Tehran metropolis from the perspective of the creative city, emphasizing on the mentality and importance of public knowledge and to provide planning solutions as a creative city. This research uses mixed methods (quantitative and qualitative) and tries to compile the integrated index of the creative city by proposing an appropriate conceptual model to the conditions of Tehran to assess the situation. The conceptual model of the study consists of 26 criteria and 66 indicators. The results show that Tehran is not in a good position in the world rankings. the twelve criteria studied in the subjective assessment by interviewing the target groups, the institutional and structural capital, entrepreneurship and investment and smart infrastructure indicators, had a score of less than 40%. The human capital, creative capital and competitiveness indicators are also components that have scored above average in subjective evaluations. The results of this study could be a roadmap for planning Tehran metropolis to reach the creative city principles.
Farnaz Sarbandi
Abstract
Today creative cities are very important, and they are in different subjects of creative industries. Cinematic cities are important in cultural, economic, social and even political aspects. Therefore, this paper’s goal is to study the capacities for fulfillment of creative cinematic city in the ...
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Today creative cities are very important, and they are in different subjects of creative industries. Cinematic cities are important in cultural, economic, social and even political aspects. Therefore, this paper’s goal is to study the capacities for fulfillment of creative cinematic city in the upstream documents, and to present strategies for the future. The used method was applied, qualitative and descriptive, and content analysis was also used for analyzing the upstream documents such as Iran 20-year vision plan, the sixth development plan etc. In presenting strategy for the future, documental method and interview (snow ball technique) were used. Results show that the documents have capacities for fulfillment of creative cinematic city, but are not enough and needs policymaking and urban planning. Therefore some strategies are presented in systemic model.
